My rating: 4 of 5 stars
Allosaurs, Greek gods, and space-going Shakespeare enthusiasts? Dan Simmons must have read my Christmas wish list.
Troy is at war. The Greeks, led by Agamemnon and Achilles, and the Trojans, led by Priam and Paris, wage pitched and pitiless battles, aided by the gods and observed by humans. These humans — the scholics — were once experts on Greek poetry and ancient history. They were reconstructed by the gods from their DNA, and then brought back to make sure the path of the war follows the path of the Iliad as laid out by Homer. Thomas Hockenberry is one such scholic, tramping around the battlefield in the guise of various soldiers, making notes and reporting back to the Muse. One day, after nine years of such a life, he is summoned by Aphrodite and told he is to alter the course of things. He is to kill Pallas Athena.
On Earth, humans live in an idyllic setting, pursuing a sybaritic lifestyle. The world is a constant round of dinner parties, picnics, long walks through the woods, and casual sex. No work, no worries, no schooling, no commitments, their every need is seen to by the voynix, mechanical servants who cook, clean, and care for them in their Eden. Daeman, who, like most others of society, is spectacularly incurious about the whys and wherefores of his world, and who collects butterflies and bed partners with equal vigor, arrives at the estate of his cousin, Ada, for a birthday party. He is shocked to discover that the party is not in celebration of someone’s 20th — after which they will be whisked away to the Rings and then returned after rejuvenation — but of Harman’s 99th. In essence, it’s Harman’s going-away party, for he has only one more year of life. But a chance encounter with an allosaurus changes everything.
On Europa, the Five Moon Consortium, a conclave of biomechanical beings, gathers to discuss the 600-year lack of contact from the post-humans and the more recent (in the last 200 years) apparent terraforming of Mars. The consortium is especially concerned with unusually massive amounts of quantum-shift activity centered on Mons Olympus, and decides to send an expedition to investigate. Mahnmut, a Europan moravec, is excited to be included in this expedition with his friend Orphu, an Ionian moravec, and looks forward to continuing their discussions of Shakespeare and Proust and literature in general. The expedition sets off well enough but soon suffers a severe setback, leaving Mahnmut and Orphu to make the best of what may be a fatal error.
Simmons adopted three different voices to tell these stories. The Trojan saga echoes Homeric prose, to the point of opening the novel with a paraphrase of the opening lines of the Iliad itself; and it is in this opening paragraph that we first begin to understand the sorrow and tragedy of the scholic Hockenberry and the rest of the cast of characters Simmons introduces. The story of Daeman, Ada, and Harman is told in simple descriptive language akin to the childlike outlook of the humans themselves; while the conversations of Mahnmut, Orphu, and the rest of the moravecs are full of technobabble and high literary analysis. This narrative trick is effective, if occasionally jarring when moving from artless human idyll to high Homeric tragedy.
Three settings. Three stories. Three disparate and wandering paths that lead to the same destination? We’ll find out when I read the sequel.
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