Tag Archive | dark fantasy

Book review: American Gods by Neil Gaiman

American GodsAmerican Gods by Neil Gaiman

My rating: 5 of 5 stars

2003 Review

Neil Gaiman is one of the most original writers currently publishing. He defies category: how does one classify an author whose work ranges from SF to horror to social commentary to parable and back, all within the pages of one book? His style is reminiscent of Clive Barker and Harlan Ellison, perhaps with a touch of Lovecraft thrown in for seasoning.

AMERICAN GODS tells the story of the war brewing between the “old” gods of the United States — the piskies and brownies and vrokolaks brought over from the Old Country by immigrant believers — and the “new” gods of technology and progress worshipped by the descendants of those immigrants. One human, an ex-con called Shadow, is enlisted by a man calling himself Wednesday to help unite the old gods in resisting the new. Shadow, at loose ends after the sudden loss of his wife, agrees to work for Wednesday, and is plunged headlong into intrigue and strangeness, where people are not who they appear, time does not track, and even the dead do not stay in their graves.

A haunting tone poem of a novel. Highly recommended.

2017 Re-read

Although I had been intending to re-read this book for years, the impending debut of the Starz series (April 30!) finally got this book down from the shelf and into my hands in mid-April.

Seasons of ReadingIt’s funny how time can distort the memory of a once-read novel. I remembered this story as being mostly a road trip with Shadow and Wednesday. While there is definitely a great deal of travel involved, I had completely forgotten the events that take place in sleepy, quiet, wintry Lakeside. I had also forgotten the outcome of Wednesday’s machinations, and how truly noble Shadow turns out to be.

Now I’m prepared for the TV show. It better not be awful.

2017SFFReadingChallenge(Side observation: I expect researching this novel is what eventually led Gaiman to write Norse Mythology.)

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Read as part of the Spring Into Horror read-a-thon.  This is the only book I managed to finish during the time frame.  Join us next time!

Also read for the 2017 Award Winning SF/F Challenge.  You can still join in on that one.

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Book review: The Dark Tower by Stephen King

The Dark Tower (The Dark Tower #7)The Dark Tower by Stephen King

My rating: 4 of 5 stars

Oh boy, how to review this without spoilers.

*thinks*

Roland’s quest for the Dark Tower drives him forward relentlessly and, as in the previous installments, people fall victim along the way. You’ll need a tissue. Maybe even a box of tissues.

Still, with the tears, we get grand resolutions, climactic confrontations, a few  gag-inducing gross-out moments, and an intriguing explanation for the presence of Character King (as opposed to Author King) within the narrative.

In the end, ka is truly a wheel.

My main quibble isn’t the presence of Character King, as seems to stick in the craw of other readers. Once that was explained, it made sense in context and I accepted it for what it was. No, my chief gripe was Mordred, as Susannah’s baby was named. As a concept, he was excellent: a child conceived from the line of Arthur for the purpose of destroying his father. As a character, he was pointless: simply a bootless boogieman, the promised confrontation with whom turned out to be…well, less than satisfying.

Said quibble aside, I enjoyed the time spent here, traveling with Roland and ka-tet, as we reached the Tower together, at last.

Safe travels, Roland. I’ll visit you again someday.

(NOTE: I read the Scribner first edition trade paperback published in 2005. This review links to the hardcover so it shows the correct cover art.)

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2016SFFChallengeThis review was written as part of the 2016 Award-Winning SFF Challenge. This challenge is now over, but you can find the sign-up for the 2017 Challenge right here.

Book review: Song of Susannah by Stephen King

Song of Susannah (The Dark Tower, #6)Song of Susannah by Stephen King

My rating: 4 of 5 stars

2016 Re-read

The sixth volume in The Dark Tower series begins moments after the events that end the fifth volume. Our heroes and the townfolk of Calla Bryn Sturgis are weary, shell-shocked, and uncertain of their future. Susannah has disappeared, Eddie is frantic, Jake is grieving, and Roland is desperate to discern their next steps.

Roland, Eddie, and Jake eventually figure out they must separate: with the aid of the Manni, Roland and Eddie will go through the door in the Cave of Voices to 1977 Maine, contact Calvin Tower and Aaron Deepneau, and make arrangements to protect The Rose; Jake and Father Callahan (and Oy) will use the same door to journey to 1999 New York in search of Susannah.

In New York, Susannah and Mia struggle for control of their shared body while Mia’s pregnancy advances at an accelerated pace.

Also in New York, Jake, Oy, and Father Callahan are hot on the trail of the combined Susannah-Mio, hoping to find them before the baby is born.

In Maine, Roland and Eddie encounter good guys, bad guys, bullets, and Stephen King.

Even though its subject matter may be more suited for a melancholy folk ballad, Song of Susannah is a techno dancetrack that unfolds at a breakneck hellbent-for-leather pace. In the end, new life and more than one death follow our heroes into the final volume.

Again, I’m glad to have re-read this, because once more I had forgotten not only the details but the main events of this novel, including the extended metafictional encounter with Stephen King. For reasons that spoilers prohibit me from revealing, King wrote himself into his own novel, not as a measure of vanity but as a unique plot twist that won’t make sense until much much later. (EDITORIAL NOTE: This review was written after finishing Book VII. So trust me on this.)

Author King views Character King with the dispassion of distance, and does not shy away from a frank discussion of his younger self’s shortcomings. In truth, I found this section of the book weirdly therapeutic. How many of us now in late middle age would NOT jump at the opportunity to speak to our younger selves with the benefit of experience and 20/20 hindsight? Metafictional therapy aside, Character King’s presence serves rather than detracts from the plot and sets up critical events for the final volume.

2016SFFChallengeNicely done, Author King.

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This review was written for the Award Winning SF/Fantasy Challenge, hosted by Shaunesay at The Space Between. Click the badge to learn more about this challenge, and maybe even join in! There’s still plenty of time left to read some award winners of your own.

Book review: Wolves of the Calla by Stephen King

wolves-of-the-calla2016 Re-Read
2016 is the year I decided I was actually going to finish reading the Dark Tower series. Since I hadn’t read this book in at least five years, a re-read was deemed necessary. And that was a good thing, because I had completely forgotten ALL of the events of this story, including the insertion of ‘Salem’s Lot character Father Callahan, who somehow managed to fall into Mid-World after his humiliation by the Vampire Barlow.

Immediately after encountering “Oz” in Topeka, Roland and his fellow travelers Jake, Susannah, Eddie, and Oy continue on the Path of the Beam, eventually realizing they’ve left a plague-ridden Kansas behind and re-entered Mid-World.  Soon afterward, they are approached by the citizens of the farming community Calla Bryn Sturgis, who ask for their help in defeating marauders known as the Wolves.  Said Wolves raid their community once a generation and kidnap roughly half of the children, returning them severely brain-damaged several weeks later.  The people of Calla Bryn Sturgis want to put an end to the raids, and view the gunslingers as their only hope.

The gunslinger code to which our heroes have ascribed means not turning down such requests for assistance; thus they are honor-bound to take on this task, provided the majority of the town supports the endeavor and is willing to help themselves.  The townspeople do, and the ka-tet begins its preparation for battle, while simultaneously hatching a plan to return to Jake’s New York and protect the Rose.

RIP 9 Peril the Second

During all this, Roland and Eddie keep a weather eye on Susannah, who exhibits signs that she is not entirely herself.  Susannah, while vaguely uneasy and at times on edge, is generally unaware that anything may be wrong.  It is, however, and greatly.  The demon she distracted with sex [edited to add:  I had forgotten the circumstances of this “distraction”; in actuality, the demon raped Susannah, violently, brutally, and repeatedly] while her men “drew” Jake into this world (see The Waste Lands for that story) left Susannah pregnant; Susannah’s subconscious mind created another personality, Mia, to deal with the unwanted pregnancy.  Mia is dangerous and unpredictable and fiercely protective of her “chap”, as she refers to her baby.  Roland and Eddie fear she may disrupt, even ruin, their delicately-timed operation against the Wolves.  And Mia’s is not the only betrayal they fear.

As Dark Tower installments go, this one initially seems like a distraction, a step off the Path of the Beam that in no way furthers the overall story or the quest for the Tower. On its surface, it’s a re-telling of nearly every Western ever written: the ordinary law-abiding folk just want to farm their land and live in peace, but the bad guys are intent on shooting up the town at every opportunity; let’s recruit the Lone Ranger to get rid of the bad guys and earn our eternal gratitude.  (King acknowledges his debt to the Western in an afterword, so he is fully cognizant of his influences.)

But.  But.  This superficial interpretation does the story a disservice.  There’s far more than a simple Little Town on the Prairie tale to discover here.  With this novel, King appears to be setting up his end-game, with the introduction of the Wolves (who are far more and at the same time much less than we think); the repeated appearances of North Central Positronics technology; the side-trip describing Father Callahan’s journey to Mid-World, not to mention the mere existence of Callahan himself in Roland’s homeland; and the tension between Susannah, Mia, and the rest of the ka-tet.

2016SFFChallengeIf I have a quibble, it’s the same quibble I’ve had ever since Susannah was first introduced, and that is calling her a “schizophrenic”.  Susannah does not have schizophrenia; she has a dissociative identity disorder (formerly known as multiple personality disorder).  Back in the mid- to late-80s, when King originally wrote the character of Odetta/Detta Holmes, who became Susannah when her personalities merged, it’s possible he didn’t know the difference.  The idea that schizophrenia means “split personality” is common, albeit incorrect.  And since King started out with that interpretation, I guess he must follow it through in subsequent novels, if only for consistency’s sake.  Still irks me.

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This review was written for two reading challenges:  Readers Imbibing Peril (affectionately known as R.I.P.) XI, hosted by Carl at Stainless Steel Droppings; and the Award Winning SF/Fantasy Challenge, hosted by Shaunesay at The Space Between.  Click their respective badges to learn more about each.

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