NOS4A2 by Joe Hill
My rating: 4 of 5 stars
“She breathed deeply of the scent of decaying fiction, disintegrating history, and forgotten verse, and she observed for the first time that a room full of books smelled like dessert: a sweet snack made of figs, vanilla, glue, and cleverness.”
Pause for a moment and ponder that quote.
I’d substitute cardamom for vanilla (because I’m not overly fond of vanilla), but otherwise, yes. This is what books smell like. Imminently satisfactory, is it not?
Charles Manx loves children. He wants children to be happy all the time. He seeks out special children so he can take them to Christmasland where, as you may have guessed, it’s always Christmas and children are always happy. Taking these children to Christmasland and leaving them there has the side effect of keeping Manx young and vigorous, but that’s merely an inconsequential bonus to Manx’s generosity of spirit.
Victoria McQueen, usually called Vic, rides her bicycle as an escape from her tense home atmosphere and warring parents. One day when she is still quite young, she discovers her bicycle gives her the ability to travel across a non-existent bridge and find things. She finds jewelry, and scarves, and photographs, and all manner of lost things. She tells the grownups cover stories about where she finds these items, and as she grows older, eventually comes to believe these stories herself. Because riding a bicycle across a non-existent bridge and coming out miles or even whole states away would be crazy, right?
On one of these excursions, Vic encounters Charles Manx. Manx recognizes Vic’s special talent and wants to take her to Christmasland. Of course, her talent will fuel his continued youth, but that’s not his primary motivation, of course. He has true compassion for Vic’s unhappy life and wants to alleviate her pain and suffering. Really, he means nothing but the best for these special children.
Vic manages to escape Manx. She grows up, grows older, has a child, endures multiple hospitalizations and medications (both doctor-ordered and self-prescribed) to deal with the trauma of her kidnapping and the constant murmur of voices in her head.
Then Charles Manx takes her son. And Vic must summon all her courage to go after him.
That’s the story. But this book is really about love. Vic’s love for her son and for Lou, the father of her son; Lou’s love for Vic and their child; Vic’s parents’ love for her, although she didn’t recognize such love until nearly too late; the sacrifices all parents make to keep their children safe; even Manx’s twisted version of love for the children he “saves”: all of it, every word of this novel turns on love in its many-splendoured and sometimes malformed manifestations.
NOS4A2 isn’t the best book ever, but it’s well worthy of the multiple award nominations it received and it’s certainly worth the time one spends delving into its nearly 700 pages.
Hint: Make sure you read to the very last page. Really. The VERY last page. Otherwise, you miss out.
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This book was read as part of the 2017 Award-Winning Science Fiction/Fantasy Reading Challenge. Click that badge on the right to see what other participants have read.