Sharp Objects by Gillian Flynn
My rating: 4 of 5 stars
Although Sharp Objects is my third Gillian Flynn novel, it’s Ms. Flynn’s first, for which she won a well-deserved Edgar. It’s beautifully written, deeply disturbing, and knock-your-socks-off holy-cow-what-the-hell-just-happened good.
Camille Preaker is sent by the editor of the tiny Chicago daily where she works back to her hometown of Wind Gap, Missouri, which is little more than a wide spot in the road, to cover the story of two murdered girls and the potential story of a serial killer. Camille left Wind Gap years ago to escape her toxic family and save her own life. She’s not sure she’s managed to do either; in Chicago, while she may have been suicidal, at least she wasn’t carving words into her own skin. Still, Camille is severely damaged. When we meet her mother and stepfather, we begin to understand why.
Because her newspaper doesn’t have the budget to put her up in a motel while on assignment, Camille must stay in her family home while she is in town. Her mother Adora, with an eye to “what would the neighbors think?”, grudgingly grants Camille shelter but insists she keep “all that unpleasantness” out of her house. All that unpleasantness encompasses not only the murders of the two girls, but anything unpleasant that has ever happened, up to and including the death of Camille’s younger half-sister Marian when Camille was 13. Camille has another much younger half-sister, Amma, whom she barely knows, who at times seems just as sickly as Marian was, but at others is robust enough to excel in her “Mean Girl” “Queen Bee” role at the local middle school. Throw in Alan, Camille’s ineffective and virtually silent stepfather, and this dysfunctional family is complete.
We see all this through Camille’s eyes; we are privy to her inner dialogue with all its twists and turns and justifications and attempts to make sense of how she ended up back in the same hellhole she tried to escape. As she reacquaints herself with Wind Gap, she recalls incidents from her past associated with each place. In the park where one girl, Natalie, was last seen alive:
The dirt from the baseball field hovered a few feet above the ground. I could taste it the back of my throat like tea left brewing too long…Garrett Park was the place everyone met on weekends to drink beer or smoke pot or get jerked off three feet into the woods. It was where I was first kissed, at age thirteen, by a football player with a pack of chaw tucked down in his gums.
And getting ready for Natalie’s funeral:
My mother was wearing blue to the funeral…She also wore blue to Marian’s funeral, and so did Marian. She was astonished I didn’t remember this. I remembered Marian being buried in a pale pink dress. This was no surprise. My mother and I generally differ on all things concerning my dead sister.
Camille is more resilient than she knows, but not quite as strong as she needs to be. She drinks too much and too often. She writes the names of the murdered girls and other words on her skin, using ballpoint pen and lipstick instead of a knife. She has questionable judgment in sex partners. And investigating these murders eventually leads her deep into her own history with devastating consequences.
In Camille, Gillian Flynn has created a deeply flawed protagonist who makes bad decisions out of weakness, out of trauma, out of a desire to flee from raw emotion, and she makes us cheer for her even while we shake our heads in dismay at her poor choices. And in the end, I loved Camille and wished her the very best future she can possibly make for herself.
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