My rating: 4 of 5 stars
The sixth volume in The Dark Tower series begins moments after the events that end the fifth volume. Our heroes and the townfolk of Calla Bryn Sturgis are weary, shell-shocked, and uncertain of their future. Susannah has disappeared, Eddie is frantic, Jake is grieving, and Roland is desperate to discern their next steps.
Roland, Eddie, and Jake eventually figure out they must separate: with the aid of the Manni, Roland and Eddie will go through the door in the Cave of Voices to 1977 Maine, contact Calvin Tower and Aaron Deepneau, and make arrangements to protect The Rose; Jake and Father Callahan (and Oy) will use the same door to journey to 1999 New York in search of Susannah.
In New York, Susannah and Mia struggle for control of their shared body while Mia’s pregnancy advances at an accelerated pace.
Also in New York, Jake, Oy, and Father Callahan are hot on the trail of the combined Susannah-Mio, hoping to find them before the baby is born.
In Maine, Roland and Eddie encounter good guys, bad guys, bullets, and Stephen King.
Even though its subject matter may be more suited for a melancholy folk ballad, Song of Susannah is a techno dancetrack that unfolds at a breakneck hellbent-for-leather pace. In the end, new life and more than one death follow our heroes into the final volume.
Again, I’m glad to have re-read this, because once more I had forgotten not only the details but the main events of this novel, including the extended metafictional encounter with Stephen King. For reasons that spoilers prohibit me from revealing, King wrote himself into his own novel, not as a measure of vanity but as a unique plot twist that won’t make sense until much much later. (EDITORIAL NOTE: This review was written after finishing Book VII. So trust me on this.)
Author King views Character King with the dispassion of distance, and does not shy away from a frank discussion of his younger self’s shortcomings. In truth, I found this section of the book weirdly therapeutic. How many of us now in late middle age would NOT jump at the opportunity to speak to our younger selves with the benefit of experience and 20/20 hindsight? Metafictional therapy aside, Character King’s presence serves rather than detracts from the plot and sets up critical events for the final volume.
This review was written for the Award Winning SF/Fantasy Challenge, hosted by Shaunesay at The Space Between. Click the badge to learn more about this challenge, and maybe even join in! There’s still plenty of time left to read some award winners of your own.